Is the kick pattern right?
Is the tempo too fast?
Should the synth sound be a Prophet or Juno?
If you’re just tuning in…
This week, I challenged myself to record the stockpile of songs I’ve written with the Mona Lisa Lyric Method.
The problem is bizarre:
The method’s had me so enthralled by the process that I now have too many finished lyrics and melodies without recordings.
I was excited for the challenge, but…
My producer persona is struggling to kick in.
I can’t stop switching between my A&R, songwriter and childlike creative brain.
My A&R brain wants to envision the artist I’ll pitch it to —> My songwriter brain is scared I’ll ruin everything with the wrong snare —> My inner creative just wants to play.
(I almost sound like a creative person.)
But this is the reality of any creative process:
…the tension between opportunity and art
…the wrestle with your inner critic
…the fear that what you make won't land.
While I don’t have a Mona Lisa equivalent for producing… yet…
I can offer you the method that gets your inner creative playing and keeps you focused on the right thing at the right time. So you don’t just start great songs — you finish them as great songs… with lyrics that feel so melodic, they practically sing themselves.
Get a few drinks in me and…
I’d confess that even though day 1 didn’t go as planned…
I’d much rather have the problem of too many songs (and overthinking synth sounds) than not having any songs to record at all.
What about you?
Until next time…
I got 99 problems, but a lack of songs ain’t one.